Yellow-Red-Blue Vinci the use of complementary colors

the use of complementary colors to achieve a maximum of harmony

with an orb in his left hand

then glued pieces of wallpaper

Bonnard expresses the artist's doubts and questions in the face of the battles he has to fight

where Picasso also had a studio and worked on such works as Les Ladies of Avignon

Yellow-Red-Blue Vinci the use of complementary colorsThis large canvas is a perfectly sized rectangle evoking divine proportion. Kandinsky wanted at this time to open up non figurative painting to the possibilities of a formal system that went beyond that of the circle and the square. The essence of this painting is in the balance of the elements which respond to each other in a game of oppositions and complementarities.